Audio Recording Fisher's Hornpipe [in D]
About this Item
- Fisher's Hornpipe [in D]
- Contributor Names
- Jabbour, Alan (Transcriber)
- Jabbour, Alan (Collector)
- Reed, Henry, 1884-1968 (Performer)
- Created / Published
- Reed family home, Glen Lyn, Giles County, Virginia, November 26, 1966
- Subject Headings
- - Instrumental music
- - Fiddle tunes
- - Hornpipes
- - Folk music--Appalachian Region
- - Ethnography
- - Music
- - Field recordings
- - United States -- Virginia -- Giles County -- Glen Lyn
- Field recordings
- - Key: D
- - Meter: 4/4
- - Rendition: 1r-2r-1r-2
- - Strains: 2 (low-high, 4-4)
- - Compass: 14
- - Phrase Structure: ABAC QRST (abbc abde qrq's tuvw)
- - The hornpipe seems to have developed in the later eighteenth century as a solo fancy dance, with the dancer typically accompanied by a 4/4 tune played on the newly democratized violin at a somewhat slower tempo than a reel. (The hornpipe of earlier British tradition in 3/2 time is a different genre with the same name.) One of the earliest and most widely circulated of all modern hornpipe tunes is "Fisher's Hornpipe." Its name is sometimes taken as a tribute to fishermen as an occupational group, but in fact it is the name of the original composer; the tune first appears in J. Fishar's Sixteen Cotillons, Twelve Allemands and Twelve Hornpipes (London, ca. 1780), p. 48. Fishar was, as the title page explains, "Principal Dancer and Ballet Master at the Theatre Royal, Covent Garden."By the beginning of the nineteenth century the tune was already appearing in manuscript tunebooks from America, and it has appeared in countless published tunebooks since then, often set in the key of F. American Fiddle Tunes (Library of Congress, AFS L62) contains further discussion and citations. Henry Reed's sets illustrate nicely the two keys in which traditional sets are usually played--either in G (AFS 13033b07) or in D (here). A comparison of the two illustrates how a tune varies to fit the range and fingering patterns dictated by the key. Yet another set in this collection, played on a C-harmonica (AFS 13705a49), is something of a harmonica tour de force.
- - Performed by Henry Reed, fiddle.
- - Title change: The title appeared in the fieldnotes as "Fisher's Hornpipe."
- - Spoken: [before tune]/HENRY REED: That string don't sound good, does it?/ALAN JABBOUR: No.[after tune]/ALAN JABBOUR: Who-o! That goes, doesn't it?
- - Recording chronology: 073
- - Duration: 1 minute, 16 seconds
- Audio tape
- Call Number/Physical Location
- AFC 1967/007: AFS 13037A03
- Source Collection
- Alan Jabbour duplication project, part 1
- American Folklife Center
- Digital Id
- Online Format
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Please cite the source collection title, collection number, and repository, for example:
Alan Jabbour duplication project, part 1 (AFC 1967/007), American Folklife Center, Library of Congress
Alan Jabbour duplication project, part 2 (AFC 1969/008), American Folklife Center, Library of Congress
Fiddle tunes of the old frontier: the Henry Reed collection online presentation (AFC 1999/016), American Folklife Center, Library of Congress
Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.
Chicago citation style:
Jabbour, Alan, Alan Jabbour, and Henry Reed. Fisher's Hornpipe in D. Reed family home, Glen Lyn, Giles County, Virginia, 1966. Audio. https://0-www.loc.gov.oasys.lib.oxy.edu/item/afcreed000143/.
APA citation style:
Jabbour, A., Jabbour, A. & Reed, H. (1966) Fisher's Hornpipe in D. Reed family home, Glen Lyn, Giles County, Virginia. [Audio] Retrieved from the Library of Congress, https://0-www.loc.gov.oasys.lib.oxy.edu/item/afcreed000143/.
MLA citation style:
Jabbour, Alan, Alan Jabbour, and Henry Reed. Fisher's Hornpipe in D. Reed family home, Glen Lyn, Giles County, Virginia, 1966. Audio. Retrieved from the Library of Congress, <www.loc.gov/item/afcreed000143/>.